Alanna Radlo-Dzur, published (with several co-authors) “The Tira of Don Martín: A Living Nahua Chronicle” in Latin American and Latinx Visual Culture 3 (2021)

Gillian Zhang, co-published (with Patricia Sieber) a chapter "The Story of the Western Wing: Theatre and the Printed Image" in the book How to Read Chinese Drama, edited by Patricia Sieber and Regina Llamas. Columbia University Press, 2021.

Gillian Zhang, "Making a Canonical Work: A Cultural History of the Mustard Seed Garden Manual of Painting (1679-1949)” in the journal East Asian Publishing and Society in 2020.

Caroline Koncz, “Notes on the Early Modern Additions to an Italian Fourteenth Century Book of Hours,” Journal of the Early Book Society for the Study of Manuscripts and Printing History 21 (2018): 215–232.

Ahyoung Yoo, “The Nomad’s Baggage: Imagining the Nation in a Global World,” in Invisible Culture: An Electronic Journal for Visual Culture, Issue 26, 2017.

Annie Jacobson, “Strange Selves: The Televised Double in Bjørn Melhus’s Das Zauberglas,” an essay in Two for One: Doppelgängers, Alter-Egos, Reflected Images, and Other Duples in Western Art: 1900-2000, 2017.

Julie Dentzer, “Ignoring the Algerian War: Le Joli Mai and the Algerian population in Paris in 1962," a chapter in War and Portrayal: The Expression of the Unbearable in Modern and Contemporary Art, Dr. Presiado and Dr. Jacob (dir.), 2017.

Kimberly Masteller, “Museums in Motion Today,” personal essay in Museums in Motion: An Introduction the the History and Function of Museums, 3rd Ed. Edward Alexander, Mary Alexander and Juilee Decker, ed. Lanham, Maryland and London: Rowman & Littlefield, 2017, pp. 279-80.

Mabi Ponce de León, “La Maestra Amalia Pica: National (Re)Education Interventions,” in ¿Qué Pasa, OSU?, The Ohio State University; Volume 24, Number 2, Autumn 2016, "Experiences & Realities: Making Space for Latinx Scholarship and Community."

Mabi Ponce de León, "Boryana Rusenova Ina," "Dan Jian," " Maria di Franco," and "Nayeon Yang," in Spring 2016 MFA Catalog, Art Department, Columbus: The Ohio State University, 2016.

Yanfei Yin, “Reconsidering the Eight Views of the Xiao and Xiang Rivers in the Sixteenth-century Korea.” In NMK 2016 Museum Network Fellowship Research Papers, pp. 25-37. Seoul: National Museum of Korea, 2016.
Yanfei Yin, “Paintings by One Artist, Agendas of Two Countries: Exhibitions of Sessh? Toyo in Japan and China in 1956.” In Still Facing East: International Scholars on Japanese Culture, edited by Klaudia Adamowicz and Kamila Sosnowska. Łódź: Wydawnictwo Biblioteka, 2016.
Kimberly Masteller, Masterworks from India and Southeast Asia: Nelson-Atkins Museum of Art. Kansas City and Seattle: The Nelson-Atkins Museum of Art and The University of Washington Press, with Lucia/Marquand Books, 2016.
Kimberly Masteller (Contributing Author), Highlights from The Nelson-Atkins Museum of Art Ceramics Collections, edited by Karin Jones. Kansas City: The Nelson-Atkins Museum of Art, 2016.
Kimberly Masteller, “Arthur Upham Pope and Collecting Persian Art in Kansas City,” Arthur Upham Pope and A New Survey of Persian Art. Yuka Kadoi, editor. Leiden: Brill Publishers, 2016.

Anna McCoy, “Salvador Dalí’s Political Enigma: Building a Persona under Franco,” in Kunstlicht: Journal for Art History, Visual Culture, and Architecture vol. 36, no. 2, 2016.

Ahyoung Yoo, “Review of Gwangju Biennale: Burning Down the House," in Media-N, Volume 11, No. 1, Spring 2015.

Ahyoung Yoo, “The Problems of Digital Utopia: Young-Hae Chang Heavy Industries on the Web,” in Asia Art Archive: Field Notes, Issue 04, 2015.

Annie Jacobson, "Strange Selves: The Televised Double in Bjorn Melhus's Das Zauberglas," College Art Association, New York, February 2015.

Kimberly Masteller, “Echoes and Resonance: Creating Dialogues between Historical Islamic Art, Contemporary Art and Museum Audiences,” in Global Trends in Modern and Contemporary Islamic Art, edited by Rui Oliveira Lopes. Lisbon: CIEBA/FBAUL, Global Art Monograph Series, 2015.

James Hansen, “Excessive Realism: Catherine Breillat and the Pornodrama,” Wuxia 5.2 (2015): pp. 112-131.

James Hansen, “Pleasure in Dissonance: The Crossroads Film Festival,” The Brooklyn Rail, May 2015.

James Hansen, "Women to Watch: Sylvia Schedelbauer," Cléo: A Journal of Film and Feminism, Vol. 2, Issue 3, Winter 2014.

James Hansen, “The Fall of Days: Luther Price’s Nine Biscuits (2004-08),” Millennium Film Journal, Issue 58, Fall 2013: pp. 124-129.

James Hansen, "A Matter of Tape: Luther Price," Dirty Looks at MoMA, Mining the Collection, A Reader, edited by Bradford Nordeen and David Everett Howe. Dirty Looks New York, 2013.

James Hansen, "Gertrud Atherton" and "Winifred Dunn", Women Film Pioneers Project, edited by Jane Gaines, Radha Vatsal, and Monica Dall’Asta, Center for Digital Research and Scholarship. New York, NY: Columbia University Libraries, 2013.

James Hansen, “Hug Me Tight: Tom Rhoads (1987-1989).” Exhibition catalog, Tom Rhoads: Three Films. New York, NY: Dirty Looks at The Kitchen, 2013.