Erica Levin’s research focuses on the intersection between avant-garde cinema, post-war art, performance, and visual culture. Her writing has been published in Media-N, World Picture, Millennium Film Journal, Discourse, and in the collections Carolee Schneemann: Unforgivable and The Routledge Companion to Cinema & Gender. Her recent essay, “To Change the Form of Film: Experiments in Cinema Against the Television War” appears in Artists Respond: American Art and the Vietnam War, 1965–1975 (Smithsonian American Art Museum, 2019).

Her current book project,The Channeled Image: Art, Politics, and the Moving Image after Television, is under contract with University of Chicago Press.